En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Crépuscule des dieux (Götterdämmerung): Marche funèbre

Début de saison en demi-teinte pour l'Orchestre symphonique de Québec : Fabien Gabel se montre en très grande forme dans un programme tout Wagner où Petra Lang déçoit.

Excerpts from Wagner's opus magnum, minus the singing, along with a Rossini overture and a new work by local composer Lachlan Skipworth make for an enjoyable concert by the larger forces of the West Australian Symphony Orchestra. 

Zubin Mehta returns to Disney Hall, demonstrating the multifaceted implications of Wagner and his “music of tomorrow”.

Ein Dirigentinnen-Comeback wirklich hart an der Obergrenze des heldenhaften Triumphs.

In Bruckner Six, Salonen simply jumped the red lights and kept driving.

This concert, with a running time of about two hours, was a lovely dip in the Rhine without the usual four-to-five hour Wagnerian full immersion.

Maestro Jordan did not present a cut down version of the score. Every instrument Wagner called for was on stage, even the six harps, but the only sung piece was Brünnhilde’s Immolation. 

Christian Thielemann, the Staatskapelle Dresden and a star-studded cast compress Wagner's Ring cycle into a tale of Siegmund, Sieglinde, Hunding and Brünnhilde.

The concluding concert in the Amsterdammers’ brief Barbican residency mixed youthful promise with a programme that seemed to sum up 2016’s angst and fears.

With disappointing Schumann followed by engrossing, but incomplete, excerpts from Wagner's Götterdämmerung, Marek Janowski and the Oslo Philharmonic fail to make a splash.

Martha Argerich shows her star quality in an extraordinary, intimate rendering of Liszt's First Piano Concerto; the West-Eastern Divan orchestra make a big political statement in performing Wagner.

The Vienna Philharmonic Orchestra, led by Maestro Gergiev, showed off their brilliant versitility, and gave us a taste of Wagner's Ring.

La OFUNAM ofreció un programa de degustación del catálogo de Wagner con la participación de la soprano Othalie Graham interpretando selecciones de Tristán e Isolda y de El ocaso de los dioses

Gustavo Dudamel and the Simón Bolívar Symphony bring Beethoven and Wagner to Madrid and fill the hall with vitality.

The Simón Bolívar Symphony Orchestra fizzes with energy and excitement, but Dudamel too often pushes them to extremes.

The Wagner bicentennial marches on, bringing grand sounds from practically every corner of the musical earth. What appear most frequently on concert programs are various extracts from the operas, such as the collection of preludes, overture, and vocal and orchestral excerpts offered by the Boston Symphony Orchestra and Daniele Gatti at Carnegie Hall.

Juanjo Mena launched the BBC Philharmonic’s season with an all-Wagner programme which, despite some small faults, featured some excellent playing.The main issue was soprano Brigitte Hahn’s projection, particularly in the Götterdämmerung finale.