En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Renard

A piecemeal evening of high musical values as the Adelaide Festival opens with short Stravinsky pieces rather than the usual substantial opera. 

A wedding feast, a man in drag and an outwitted fox were unlikely accomplices in the second concert in the Philharmonia's series Stravinsky: Myths and Rituals. 

Venturing into the Paris of the 1910s and 1920s, the Southbank Centre’s The Rest is Noise festival continues its journey through a brambly thicket of 20th-century music. Sunday’s programme focused on the output of Igor Stravinsky, the Russian composer who famously engendered riotous uproar at the Paris Opera House in 1913 with his savage ballet Le sacre du printemps.

Imagine, if you will, a one man stage show, with one of the nation’s foremost and best loved actors playing all the parts in a somewhat Faustian fairy tale, with a crack team of musicians playing incidental music by one of the last century’s great composers. You might think that this would comfortably sell out a fair sized London theatre.