En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | 12 Études, L.136

After an eight-city recital tour of Japan with duo partner Daishin Kashimoto, Kirill Gerstein gave a recital of his own at Kioi Hall, arguably Tokyo's best acoustics for solo piano.

Mikhail Rudy’s recital adapting music to animated art projections disappoints. 

Although this was ostensibly a recital featuring the music of two composers, a third, much less venerable one, also managed to leave his mark on proceedings. The figure in question is Carl Czerny, the one-time pupil of Beethoven’s whose banal piano studies proved to be the springboard for the first of Claude Debussy’s own, far more inventive forays into the genre.

It’s pretty rare for a major concert hall to program more than ten minutes of music that was composed post-1900, and it’s even rarer to see an entire program of music that was composed post-1900. But at Carnegie’s Zankel Hall Monday evening, that’s exactly what the audience was treated to, courtesy of pianist Nicolas Hodges. Mr.

To perform so many of Debussy’s works in one sitting requires a certain amount of skill and understanding. The charismatic pianist Jean-Efflam Bavouzet opened our eyes to the impressionistic world of Claude Debussy in this special three-part concert for the Cheltenham Music Festival.