En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | La Dame aux camélias

Malgré quelques temps forts, en particulier la reprise brillante de Herman Schmerman, la soirée « Etoiles de l’Opéra » laisse un avant-goût mitigé sur l'avant-scène du Palais Garnier.

En décembre, le Ballet de l’Opéra de Paris reprend l’un des chefs d’œuvres les plus courus du répertoire néoclassique : La Dame aux Camélias de John Neumeier. Sur une partition entièrement composée de pièces pour piano de Frédéric Chopin, La Dame aux Camélias est une fresque romantique merveilleusement foisonnante.

Kansas City Ballet premieres Val Caniparoli and Robert de la Rose's Impressionistic ballet

Widely thought a pinnacle of 20th century dance, John Neumeier’s “Die Kameliendame” ballet recently celebrated its 100th performance at the Bayerisches Staatsoper in Munich.

For a ticket to 19th-century romance, head to Amsterdam, where John Neumeier's story will stir your heart and lift you up.

Das Bayerische Staatsballett ließ die natürliche Freude am kurzweiligen Tanzvergnügen spüren.

The Bolshoi ballet presents again Neumeier's Lady of the Camellias, after its succesful entry into the repertoire in 2014.

Based on Alexandre Dumas' La Dame aux Camélias the tragic love story that inspired Verdi's  La Traviata, Ashton Marguerite and Armand ballet for the Royal Ballet, as well as the 2001 film Moulin Rouge, Val Caniparoli's Lady of the Camellias, danced here by Boston Ballet is a beautifully orchestrated, and heartbreaking production.

Paris Opera Ballet presented a stunning sold-out performance of John Neumeier's Lady of the Camellias in Tokyo, a final performance for Isabelle Ciaravola as the Etoile of the company.

Diablo Ballet celebrates its 20th anniversary with a one-night performance of dance, film, shared memories and surprise performances.

American Ballet Theatre’s second program of their tour is the All Star Gala, not just a star-studded pas de deux evening but with two brilliant works, Balanchine's Theme and Variations and Ratmansky's Piano Concerto no. 1.

Stuttgart Ballet has a long tradition of promoting new choreography, and in this spirit the first programme for its visit to Sadler’s Wells included thirteen brief choreographies, all specially made for the company.