Stuttgart Ballet at Sadler's

Par Cristina de Lucas, 20 novembre 2013

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Critique faite à Sadler's Wells Theatre, Londres, le 18 novembre 2013

Hommage á Bolshoi

Initials R.B.M.E

Roméo et Juliette (John Cranko)

La Dame aux camélias (John Neumeier)

Little Monsters (Demis Volpi)

Le Grand Pas de Deux (Christian Spuck)

Finale from the Seventh Blue

Programme inconnu

Stuttgart Ballet

Maria Eichwald, Danse

Filip Barankiewicz, Danse

Hyo-Jung Kang, Danse

Alexander Jones, Danse

Sue Jin Kang, Danse

Marijn Rademaker, Danse

Alicia Amatriain, Danse

Jason Reilly, Danse

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***11

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***11

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Vikki Jane Vile, 28th May

The programme’s middle work sees a detour from Stravinsky, to the music of Richard Strauss, lending itself to more lyrical work and some respite from the drama it's sandwiched between.

***11

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****1

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Plus de critiques...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

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