En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Introduction et Allegro pour Quatuor à cordes et Orchestre à cordes, Op.47

Two fascinating and hugely entertaining recent pieces started a superb concert by the strings of the Manchester Camerata, joined by Jess Gillam in Glazunov's Saxophone Concerto and the Brodsky Quartet in Elgar's Introduction and Allegro. Tchaikovsky crowned the concert.

Forget those po-faced tenors of yore; this is joyous music and Allan Clayton was just the man to deliver it.

Donald Runnicles conducted an imaginative chamber version of Strauss' testamentary Lieder, plus Elgar's own take on the concerto grosso form in his Introduction and Allegro.

The LSO is reunited with its Music Director for the first time since lockdown for a moving performance from the Royal Albert Hall. 

Daniel Hope gedenkt der Epoche mit einem vielfältigen Programm von Massenet bis Schönberg.

Biography, autobiography and the music of two composers combined in the latest BBC commission unveiled at the Proms.

A classy performance under the baton of Sir Mark Elder unites a seemingly disparate sounding programme.

Las cuerdas fueron el gran protagonista del concierto que la Orquesta Sinfónica de Navarra ofreció el pasado viernes el en Baluarte. Bajo la batuta del británico Rumon Gamba y acompañadas por el guitarrista australiano Craig Ogden, la OSN fue al centro de una ejecución acariciante al estilo New Age.

For the silver jubilee of Ronald Brautigam’s history with the Amsterdam Sinfonietta, Sally Beamish composed a new piano concerto. Haydn, Mozart, and Elgar complemented the programme.

What an auspicious first outing for Andrew Manze with the LPO, concluding with a definitive account of Walton's First Symphony. 

Peter Oundjian and the RSNO star in a celebration of orchestration, with guest Steven Osborne. 

The Australian Chamber Orchestra struggle with John Adams before finding their form in the music of Grieg, Maria Schneider (with Dawn Upshaw as soloist) and Elgar.

Tonight’s programme was a feast of British music, with a Britten flavour, played by the strings of the Academy of St Martin in the Fields, joined by virtuosic viola player Lawrence Power, whose prowess is bringing this much-neglected solo instrument into its own.We started with the beautiful Introduction and Allegro for string quartet and string orchestra, written by Edward Elgar in 1905.

In advance of a nationwide spate of celebration concerts, here was an all-British programme that didn’t so much as mention the Jubilee or the Olympics. And a great job the CBSO made of it, under guest conductor Andrew Manze. His expressive hands not only encouraged beautiful music, but they were a joy to watch too.

Young German cellist Nicolas Altstaedt was at the emotional centre of the BBC Philharmonic’s all-Elgar concert in Manchester. An award-winner with a fast-developing global reputation, he made the opening four chords of the Cello Concerto exceptionally dramatic, more immediate than usual, as we were plunged into the composer’s agonised responses to the Great War.