En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | The Noon Witch (Polednice), Symphonic poem, Op.108

Leif Ove Andsnes joins the Vienna Symphony in the Musikverein's Golden Hall for a glowing account of Brahms’ Second Piano Concerto before a terrific Tod und Verklärung. 

Glorious performances of Dvořák and Prokofiev are enriched by a sumptuous improvisation by pianist Gabriela Montero. 

A folk-centred programme delights Berlin's Konzerthaus under the conducting of Joana Mallwitz – with the special participation of soloist Elisabeth Leonskaja.

Daniel Harding and the Swedish Radio Symphony Orchestra bring their own fireworks to the festival finale.

After London's farewell to Bernard Haitink the evening before, Andrés Orozco-Estrada had a tough act to follow with the Vienna Philharmonic. We needn't have worried. 

Bezauberndes spielt das recreation – Großes Orchester Graz im Stefaniensaal, unterstützt vom Solisten Andrei Ioniță.

Captiavting European musical narratives in Washington DC.

Conductor Brett Mitchell also led worthy performances of Dvořák’s The Noon Witch and Bartok’s Concerto for Orchestra, joined by student ensemble, the Kent/Blossom Chamber Orchestra.

The violinist James Ehens brings his masterful Bartók back to Seattle in a program conducted by André de Ridder, who makes his Seattle Symphony debut.

Prokofiev’s Lieutenant Kijé Suite is a film score originally composed in 1938. It’s a piece with many contrasts, yet the recurring melodies and catchy rhythms make it a joy to hear. The first movement was introduced by Laura Gilroy on cornet, hidden in the wings of the concert hall, after which the percussion and flutes took over.