En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Danses sacrée et profane

Le violoncelliste a délivré une performance hautement spectaculaire, aux côtés d'un Orchestre National de France dont les individualités ont brillé, sous la direction inégale de Cristian Măcelaru.

Un concert dont la diversité des genres musicaux inscrits au programme est assez stupéfiante, de Haydn et Beethoven à Queen.

Pour la rentrée symphonique de l’Orchestre de Pau Pays de Béarn, la programmation couvrait une large période de l’histoire de la musique et donnait un aperçu de la saison à venir.

The Hebrides Ensemble make its first visit to Perth Festival of the Arts with an 'Auld Alliance' programme which mixes contemporary Scottish with 20th-century French works. 

A truly committed performance of César Franck's Piano Quintet, a work that is played too rarely and is often misunderstood by performers and audience alike. 

The Buffalo Philharmonic Orchestra, conducted by JoAnn Falletta, turn in an elegant performances that included Ellen Taaffe Zwilich’s Prologue and Variations, as well as a Joseph Bologne de Saint-Georges Violin Concerto. 

The Vienna Philharmonic's harpist inaugurates the new instrument at Musikkollegium Winterthur, putting it through its pace in Mozart and Debussy.

Conductor Emeritus Ludovic Morlot chose a thought provoking and unusual program for his first return to the Benaroya stage since 2019.

A joyful evening of Franco-Brazilian dance music with Royal Northern Sinfonia and Jess Gillam as part of Sage Gateshead's New Year New Music 2019 festival.

Katherine Baker and Lucy Wakeford delighted in Mozart, Debussy and Fauré with the Northern Chamber Orchestra in a concert crowned by an undeservedly rare symphony by Haydn. 

El concierto que la Orquesta Sinfónica de Navarra ofreció el pasado viernes sumergió al público del Baluarte en un paseo virtual, lleno de luz y de vida, por las vanguardias musicales de la primera mitad del siglo XX. Lo hizo de la mano de Antoni Wit y del virtuoso Xavier de Maistre, descubriéndonos así también los mil y un registros sonoros del arpa.

If three years is sufficient to constitute a tradition then, traditionally, a Lammermuir Festival ends with a sell-out concert in St. Mary’s Parish Church, Haddington. And if year three is sufficiently far along the line to break with tradition, then this year’s surprise was not box-office focused but based on choice of repertoire; not a Bach/Handel finish, but an all-French programme.

After weeks of foul weather, this was more like it. Proper sunshine for a summer festival. Around Hereford Cathedral, watched over by a statue of Elgar draped in a fresh laurel wreath, Three Choirs Festival-goers enjoyed the warmth before venturing inside for equally sunny music. Even the yellow flowers framing the stage carried through the theme, setting off the golden centre-stage harp.

Limpidity, elegance, sensuality, and charm: virtues that characterize the very best of modern French musical style. The listener, falling under the music’s spell, may find it easy to take its ravishing beauty for granted; unaware that this beauty came at the cost of earnest toil and experimentation of at least two generations of French composers.