En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Do not sing, my beauty (Ne poy krasavitsa pri mne), Op.4 no.4

Never mind the piano concerto marathons, 2023 will not see a finer anniversary tribute to Rachmaninov than this song recital.

La magia envolvió un recital en el que Sondra Radvanovsky fusionó su monumental talento vocal con sus experiencias vitales en interpretaciones sinceramente profundas.

The principal flute provided several of the delights coming from the wind section, still one of the glories of this orchestra.

Einen Bass, einen Pianisten und einen Flügel. Mehr brauchte es nicht, um Geschichten von Leben, Liebe und Tod zu einem packenden Erlebnis zu machen.

Diana Damrau und Helmut Deutsch gelang mit ihrem Festspiel-Liederabend in der Bayerischen Staatsoper ein Liederabend der Extraklasse, der neben Schubert und Richard Strauss auch Werke von Rachmaninow bot.

Singing at short notice, Luis Gomes made a fine partner for Ekaterina Siurina at another superb recital in the Rosenblatt Recital series.

First the beauty, then the words at a Renée Fleming Carnegie Hall Song Recital.

It was an afternoon of pure delight as Anna Netrebko presented a full program of Russian art songs acompanied by an excellent pianist colleague.

Poise, control, stillness. Within two minutes of her Wigmore Hall debut, the qualities that make Elīna Garanča a consummate Lieder recitalist were evident.

Elina Garanča was alluring in a lovely recital of Brahms, Duparc and Rachmaninov with pianist Malcolm Martineau. 

At the cloakroom, it was already clear that this evening was not going to be standard fare at the Staatsoper. Russian was in the air, and Russians had bought their fair share of the tickets to this completely sold out event: wearing extravagant gowns, sporting elegant hairstyles and reserving bottles of champagne for the interval. There was plenty of Russian fare on the programme too.

Two of the world’s most sought-after opera singers giving Lieder recitals on the same night. The kind of painful choice which Viennese musical institutions and their chaotic schedules throw up all too regularly. I went for Nina Stemme over Jonas Kaufmann on the basis that she gives fewer solo recitals, despite harbouring reservations about how her big voice would fare in this repertoire.