En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Prélude et scherzo pour octuor à cordes, Op.11

À quelques jets de pierre de Genève, le Festival de Bellerive a proposé, ce 12 juillet, un concert donné par un éphémère mais éclatant ensemble de musique de chambre.

The self-styled “world’s largest chamber music party” ends an eventful festival with rare early Shostakovich, Grieg’s full-blooded Cello Sonata and Appalachian Spring heard in its original scoring for 13 instruments. 

Royal Northern Sinfonia hide a feast of quirky, inventive string writing by Shostakovich, Stranvinsky, Mozart and Schoenberg behind a sedate title.

The Zurich Chamber Orchestra (ZKO)’s programme of “young high achievers” − Shostakovich and Beethoven − struck a positive chord at the Tonhalle this week.

As my seatmate remarked to me after the concert, it is strange and wonderful to hear Benjamin Britten and Dmitri Shostakovich, who befriended each other late in life, begin to sound alike in their old age while remaining unmistakably themselves. I agreed.

A feast of Russian chamber music was what was on offer for the Australian Chamber Orchestra’s latest concert. Featuring music by Prokofiev, Shostakovich and Tchaikovsky in a program entitled Russian Visions, the ACO with guest soloists Steven Osborne and David Elton provided an evening of music which was visionary, electrifying and intense in equal measures.