En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Le Lac des cygnes

Créé en 2020, le ballet de Tchaïkovski repris et chorégraphié par Angelin Preljocaj va droit au cœur, mêlant habilement divertissement et avertissement.

La chorégraphie syncrétique de Noureev porte en elle toutes les inspirations originelles, réelles ou supposées, depuis la création de l'ouvrage.

Pour la reprise de ce ballet romantique emblématique, le danseur étoile se distingue dans le rôle du Prince Siegfried. Le corps de ballet féminin réalise également une performance enthousiasmante.

La rentrée sous contraintes du Ballet de l'Opéra de Paris met en avant les chorégraphies difficiles et géniales de Rudolf Noureev, généralement très bien menées par les danseurs de la compagnie.

Le Ballet de l’Opéra de Paris interprète l’un des plus beaux joyaux de son répertoire : Le Lac des Cygnes, dans la chorégraphie onirique et spirituelle de Rudolf Noureev (1984). Bouleversant par la pureté chorégraphique de ses actes en blancs et son esthétique minimaliste, le Lac des Cygnes apparait encore aujourd’hui comme un chef d’œuvre d’une rare modernité.

Le Lac des Cygnes dans la chorégraphie de Rudolf Noureev est de retour à l’Opéra Bastille. Contrairement à la précédente production qui distribuait beaucoup de jeunes artistes, cette reprise est portée par des artistes plus confirmés, parmi lesquels s’illustrent tout particulièrement le sublime duo formé par Myriam Ould-Braham et Mathias Heymann.

De nouveau à l’affiche de l’Opéra de Paris, la chorégraphie de Rudolf Noureev d’après Marius Petipa et Lev Ivanov et sa merveilleuse musique de Piotr Ilitch Tchaïkovski, nous transportent dans l’univers onirique de l’imaginaire slave.

Ballet classique par excellence, Le Lac des Cygnes est notamment issu des légendes russes et nordiques, où des jeunes femmes sont transformées en cygnes par un sortilège. Cette soirée qui aurait pu atteindre la perfection si la direction musicale avait été plus fine et harmonieuse.

Thirty years after its original production, Matthew Bourne’s Swan Lake makes its return to the stage championed by an impressive ensemble of dance artists from Bourne’s own company New Adventures.

Swan Lake opens the season for Kansas City Ballet in a splendid looking production and with very pleasing interpretations.

A slightly under par opening night at New York City Ballet but nevertheless, some strong individual performances.

ABT's Swan Lake suffered due an obvious lack of rapport between its lead dancers but there was still some fine dancing on offer.

In the first revival of National Ballet of Canada's 2022 Swan Lake, a strong corps de ballet and star turn by Genevieve Penn Nabity almost overcome a muddled visual concept. 

Peter Martins' Swan Lake continues to divide ballet fans. Can Sara Mearns unite them, 19 years after her astonishing debut as Odette-Odile? 

Bourne has created an extraordinary legacy.  His Swan Lake will remain relevant for generations to come.

The State Ballet of Georgia's first visit to London has proved competent but lacking vitality. However there is plenty of talent – it just needs realising.

An innovative angle on a familiar ballet, Benjamin Pech's production brings some novel ideas to fore.

It’s the white acts which are the highlight of this Swan Lake by the Sofia Opera and Ballet, made all the more magical by the setting at Pancharevo Lake.

A star was born, and she was launched into the galaxy. Impressive New York debuts in Swan Lake from Chloe Misseldine and Aran Bell.

Junior soloist Ivana Bueno steps in at short notice to make her debut as Odette/Odile at the Royal Albert Hall with English National Ballet. It augurs well for her future.

Derek Deane's Swan Lake in-the-round makes a welcome return to the Royal Albert Hall. With the challenges of 360º scrutiny, English National Ballet rise triumphantly to each and every hurdle.

Two very impressive debuts in the lead roles of Liam Scarlett's Swan Lake with The Royal Ballet, bodes well for the futures of Mariko Sasaki and Joseph Sissens.

Rudolf Nureyev's typically intricate choreography serves the Royal Swedish Ballet well, showing off the virtuosic talents throughout the ranks as well as the principal dancers.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

Visually splendid, Liam Scarlett's Swan Lake showcases some wonderful dancing, but there is still room for improvement. 

The Australian Ballet’s current production of Swan Lake is ballet at its best: beautiful classical dance and music, intense emotion, exquisite costumes, dramatic sets and lighting.

Magnificent leading dancers elevated the performance, but nothing can detract from the fact Kevin McKenzie's Swan Lake is looking tired.

 This production provides a hugely fulfilling evening, rich in drama and the beauty of classical ballet.

This expanded Swan Lake celebrated the return of an exceptional ballerina after a year's lay-off as well as displaying the depth of talent within the company.

Sir Peter Wright’s production returns to Birmingham Royal Ballet after an absence of five years, with Céline Gittens and Brandon Lawrence sharing great chemistry. 

Deane has created a production that respects the tradition of Swan Lake without unnecessary embellishment.

“Make dance, not war,” is the message as the Ukrainian company performs Tchaikovsky's classic ballet at Sydney’s International Convention Centre. 

Swan Lake is the last program of the San Francisco Ballet’s season and of the 37-year tenure of retiring artistic director Helgi Tomasson.

A compelling performance of this revival, dedicated by Vadim Muntagirov to the people of Ukraine.

Balanchine's unbreakable Serenade leads a mixed bill that includes his less than inspired one-act version of Swan Lake.

National Ballet of Japan premieres Sir Peter Wright's Swan Lake, which had been postponed for a year due to Covid restrictions. 

The LPO's Principal Conductor takes his Royal Festival Hall bow after 14 seasons with a complete rendition of Tchaikovsky's first full length ballet.

Manuel Legris, whom Nureyev appointed étoile in Paris in 1986, presents an evening of Nureyev choreographies in Milan. 

An opulent production that is both reassuringly traditional and refreshingly new. 

Kaleena Burks impresses in her role as Odette/Odile in Kansas City Ballet's Swan Lake. 

Matthew Bourne's brilliant rendition of Swan Lake makes this classic story ballet refreshing, contemporary and emotional.

The regal grandeur of Sydney's State Theatre marries the alluring beauty of the Imperial Russian Ballet's swan ensemble, in this strictly traditional and most enchanting production.

Near perfection from the corps de ballet represent the Bolshoi at its very best during its Royal Opera House residency.

Kevin McKenzie's production of Swan Lake at ABT usually has little to commend it, but Christine Shevchenko's Odette/Odile is the real deal. 

This Swan Lake is a continued homage to classical female beauty and awe-inspiring dancing. The swans' collective mourning at Siegfried’s betrayal and its consequences are palpable.

There’s a good reason Swan Lake is a box office blockbuster. Not only is it “famous” in the sense that even ballet neophytes know all about it, Swan Lake is a seriously meaty ballet with a narrative arc that offers tension-filled dynamics, a luscious score by Tchaikovsky and one of the most famous tragic love stories of all time.

Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.

Bourne's radical reworking of Swan Lake returns to Sadler's Wells, 23 years after its premiere. 

Matthew Bourne's Swan Lake was controversial twenty-three years ago. These days it seems pretty tame - but the swans aren't!

The instantly-recognisable, symphonic score was given the lover’s touch by conductor, Vadim Nikitin; caressed in the melancholic, slow sections and energetically encouraged wherever appropriate