Zwischen Realität und Phantasie

Par Christine Roth, 08 juin 2015

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“auf der Suche nach der Realität, die sich stets unerreichbar entwindet”

Critique faite à Nationaltheater: Opernhaus, Mannheim, le 7 juin 2015

Schubert, Schwanengesang (Rellstab, Heine, Seidl), D.957

Thomas Berau, Baryton

Philipp Vandré, Piano, Direction musicale

Eva Desoi, Comédien

An unforgettable Good Friday Parsifal in Mannheim

Ako Imamura, 30th March

The 1957 production of Parsifal, with its traditional staging and dreamy imageries, was a perfect backdrop to showcase Wagner's celebration of stage play with music on Good Friday.

*****

“Auf nach Mahagonny" in Mannheim!

Ilana Walder-Biesanz, 30th December

A modern Mahagonny rises and falls in Mannheim, brought to life by a great cast of singer-actors and a conductor (Benjamin Reiners) and orchestra who celebrate Weill's catchy score.

****1

Polished Mahagonny: Weill and Brecht's satire remains as relevant as ever

Matthew Rye, 1st July

Nationaltheater Mannheim's new production of Brecht and Weill's collaboration is a true company achievement and a thrilling evening of music and theatre.

****1

Electric Elektra in Mannheim

Matthew Rye, 13th May

A classic production of Strauss' searing operatic depiction of the House of Atreus is revived with a particularly accomplished cast and musical direction.

*****

Flatterhafte Fledermaus

Sarah Donata Schneider, 8th January

Nikolai Schukoff und Michael Schade sind am Festlichen Opernabend zu Gast und retten eine verstaubte Inszenierung aus den 1970er Jahren.

***11

Hercules-Renaissance am NTM

Sarah Donata Schneider, 9th December

In der mittelalterlichen Bildwelt Nigel Lowerys entzündet das Orchester des Nationaltheaters unter der Leitung von Bernhard Forck ein barockes Feuerwerk, das mit einem Raketenstart ins Händel-Universum aufgeht.

****1

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Christine Roth

After completing her Bachelor's degree in Heidelberg and at King's College London, Christine is now studying towards her Master's degree in Musicology and French Literature. She loves music of the 20th and 21st century and she also plays the violin with lay orchestras in musical and theatre projects.

Schuberts Schwanengesang zwischen Realität und Phantasie