| dimanche 28 février 2027 | 16:00 |
| dimanche 07 mars 2027 | 16:00 |
| dimanche 14 mars 2027 | 16:00 |
| samedi 27 mars 2027 | 16:00 |
| samedi 03 avril 2027 | 16:00 |
| Staatsoper Stuttgart | |||
| John Fiore | Direction | ||
| Elisabeth Stöppler | Mise en scène | ||
| Valentin Köhler | Décors | ||
| Gesine Völlm | Costumes | ||
| Elana Siberski | Lumières | ||
| Staatsorchester Stuttgart | |||
| Ingo Gerlach | Dramaturgie | ||
| David Steffens | Basse | Hans Sachs | 2027 févr. 28, mars 07, 14, avril 03 |
| Martin Gantner | Baryton | Hans Sachs | 2027 mars 27 |
| Nathan Berg | Baryton-basse | Veit Pogner | |
| Björn Bürger | Baryton | Sixtus Beckmesser | |
| Benjamin Bruns | Ténor | Walther von Stolzing | |
| Esther Dierkes | Soprano | Eva | |
| Moritz Kallenberg | Ténor | David | |
| Franz Hawlata | Basse | Hans Schwarz | |
| Dominic Große | Baryton | Ulrich Eisslinger | |
| Sam Harris | Ténor | Augustin Moser | |
| Torben Jürgens | Basse | Hans Foltz | |
| Paweł Konik | Baryton | Fritz Kothner | |
| Jaewoung Lee | Basse | Nightwatchman | |
| Heinz Göhrig | Ténor | Balthasar Zorn | |
| Shigeo Ishino | Baryton | Konrad Nachtigall | |
| Stine Marie Fischer | Mezzo-soprano | Magdalena | |
| Torsten Hofmann | Ténor | Kunz Vogelgesang | |
| Stephan Bootz | Basse | Hermann Ortel |
Acclaimed and hotly debated: Elisabeth Stöppler stages Die Meistersinger as a German Midsummer Night’s nightmare by Hans Sachs and Richard Wagner. The ambivalences of what is perhaps Wagner’s most complex score are not glossed over in favor of comedy, but are preserved and made tangible: “Art that reveals – not by instructing, but by sharpening perception” (FAZ). In this moving and impressive exploration, Wagner’s art opera becomes a reflection on the connection between popularity and populism.
In German with German and English surtitles
There will be a German introduction 45 minutes before the performance at the Upper Foyer (I. Rang).
Les Maîtres chanteurs de Nuremberg par Elisabeth Stöppler, nos comptes-rendus

