During rehearsals for his production of The Queen of Spades at the Royal Opera, Norwegian director Stefan Herheim reflects on his art, his frustrations with the industry and his impending move to Vienna.
This double cast, nine-day revival of Vadim Milkov's staging of Pique Dame offers a relatively straight reading of Tchaikovsky's opera about the obsessive Pushkin-based character Herman. Embracing the opera's choral and dance passages, spectacle and pageantry are paramount; the drama's surreal and more nuanced dimensions could have been better profiled.
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