Lack of emotional connection in Pique Dame

Par Katherine Syer, 06 mars 2017

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Critique faite à Hungarian State Opera: Auditorium, Budapest, le 3 mars 2017

Tchaïkovski, La Dame de Pique

Opéra d'État hongrois

Balázs Kocsár, Direction

Vadim Milkov, Mise en scène

Victor Volsky, Décors

Rafael Volsky, Costumes

Kristian Benedikt, Herman

Zoltán Kelemen, Tomsky

Károly Szemerédy, Yeletsky

Szilvia Rálik, Lisa

Erika Gál, Polina

Lívia Budai, La Comtesse

Kornélia Bakos, La gouvernante

László Beöthy-Kiss, Chaplitsky

Tivadar Kiss, Tchekalinski

Tibor Szappanos, Tchekalinski

Lajos Geiger, Narumov

István Kovács, Sourine

Ferenc Cserhalmi, Sourine

Erika Markovics, Macha

Lilla Horti, Macha

Orchestre de l'Opéra d'État hongrois

Chœurs de l'Opéra d'État hongrois

György Szakály, Chorégraphie

Budapest accueille ses Enfants terribles

Suzanne Lay-Canessa, 13th November

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

****1

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

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Katherine Syer

Katherine Syer is a Los Angeles-based writer/editor, public scholar, and dramaturg following a teaching career at the University of Illinois Urbana-Champaign and UCLA

Lack of emotional connection in Pique Dame in Budapest