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BirminghamViennese New Year
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Strauss II
City of Birmingham Symphony Orchestra; Tess Jackson; Ailish Tynan
West HorsleyDas RheingoldNouvelle production
Wagner: L'Or du Rhin (Das Rheingold)
Harry Sever; Charles Edwards; Grange Park Opera; Gabrielle Dalton; Tim Mitchell; English National Opera Orchestra
West HorsleyIl barbiere di SivigliaNouvelle production
Rossini: Il barbiere di Siviglia (Le Barbier de Séville)
Gianluca Marcianò; Bruno Ravella; Grange Park Opera; Francis O'Connor; Tim Mitchell; Pas encore défini
LondresIl trittico
Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...
Taken for a ride: an energetic revival of Così fan tutte at ENO
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English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.
Glyndebourne’s season opens with Rossini’s Barber of Seville
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Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.
Black comedy of the highest order: Festen at The Royal Opera
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Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.
Bly or Bedlam? ENO’s new The Turn of the Screw
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Isabella Bywater directs an evocative new production of Britten’s ghost opera, well performed at the Coliseum.
Aleko on the Arno: Bryn Terfel leads fine new GPO double bill
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An unlikely pairing opens Grange Park Opera's season, the two works united by the dominant central character of each opera – Sir Bryn Terfel.
Thrilling Mahler 2 from Anja Bihlmaier and the NSO in Dublin
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So many wonderful small details as well as the grand statements made this the extraordinary, thrilling performance of Mahler's second symphony Resurrection.
Articles récents
Street-smart and subversive: Ailish Tynan talks Così fan tutte
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The Irish soprano talks about singing Mozart’s Così fan tutte with English National Opera, in London and Manchester – and how the wily Despina is the perfectly subversive character for her.