Critiques récentesEn voir plus...
Opera Prelude compares and contrasts Bernstein and Weill
Opera Prelude’s emerging artists bring out both contrasts and similarities in Trouble in Tahiti and The Seven Deadly Sins.
Garsington’s new La traviata ticks every musical and dramatic box
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.
The Royal Academy's Carmen has too many what-if moments
Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.
Three card trick: compelling new Queen of Spades at Garsington
Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.