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Artiste: Annilese Miskimmon

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LondresToscaNouvelle production

© ENO
Puccini: Tosca
Ben Glassberg; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra

LondresAdriana Mater

© ENO
Saariaho: Adriana Mater
André de Ridder; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra

LeedsDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

SalfordDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

Newcastle upon TyneDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North

NottinghamDead Man Walking

© Photography by Feast
Heggie: Dead Man Walking
Ben Glassberg; Annilese Miskimmon; Opera North; Alex Eales; Evie Gurney; DM Wood; Orchestra of Opera North
Critiques récentesEn voir plus...

Dead Man Walking at English National Opera: a superb execution

Michael Mayes (Joseph De Rocher) and Christine Rice (Sister Helen Prejean) © Manuel Harlan
Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

Stemme leads an explosive Jenůfa at Royal Swedish Opera

Nina Stemme (Kostelnička), Cornelia Beskow (Jenůfa) © Markus Gårder
Janáček’s drama of infanticide is delivered at full power by Nina Stemme and Agneta Eichenholz in Annilese Miskimmon’s well-crafted production. The orchestra, however, are just too loud.

Sensitive stagecraft and directorial rage: Suor Angelica at ENO

Sinéad Campbell-Wallace (Sister Angelica) © Genevieve Girling
Miskimmon's relocation of the action to Ireland is unsparing in its evocation not of some tearjerking melodrama but of an almost documentary reportage on real events. 

Prescient then, terrifying now: The Handmaid’s Tale at ENO

Avery Amereau (Serena Joy) and Kate Lindsey (Offred) © ENO | Zoe Martin
Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.

Korngold's extravagant opera The Dead City staged in style by ENO

William Morgan, Clare Presland, Lauren Bridle. Rhian Lois and Innocent Masuku © Helen Murray
Annilese Miskimmon directs a the first ever production by ENO of Erich Korngold's tale of bereavement, grief and the poisonous impact of lost love on an obsessive mind. 

A topical tale: Gilead returns to the Coliseum stage

 Poul Ruders’ The Handmaid’s Tale comes home to English National Opera after 20 years in a powerful new production by Annilese Miskimmon.