Sensitive stagecraft and directorial rage: Suor Angelica at ENO

Sinéad Campbell-Wallace (Sister Angelica)

Christine Rice (The Baroness)

ENO's ensemble in Suor Angelica

Par Mark Valencia, 29 septembre 2024

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“Miskimmon... challenged us to confront the truth even as we longed to look away”

Critique faite à The London Coliseum, Londres, le 27 septembre 2024

Puccini, Suor Angelica

English National Opera

Corinna Niemeyer, Direction

Annilese Miskimmon, Mise en scène

English National Opera Orchestra

English National Opera Chorus

Sinéad Campbell Wallace, Suor Angelica

Christine Rice, La zia principessa

Madeleine Shaw, La badessa

Lea Shaw, La suora zelatrice

Gaynor Keeble, La maestra delle novizie

Alexandra Oomens, Suor Genovieffa

Sarah-Jane Lewis, Suor Dolcina

Jane Read, Suor Osmina

Tanya Hurst, Première sœur quêteuse

Susanna Tudor-Thomas, Sœur quêteuse 2

Claire Pendleton, Sœur bavarde 1

Annabella Vesela Ellis, Una novizia

Sophie Goldrick, La suora infermiera

Morag Boyle, Sœur bavarde 2

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

Sensitive stagecraft, directorial rage: Suor Angelica... for one night only at ENO