Live EventsEn voir plus...
VienneMitridate, re di PontoVersion de concert
Mozart: Mitridate, re di Ponto, K87 (K74a)
Francesco Corti; Kammerorchester Basel; Ian Koziara; Francesca Pia Vitale; Chiara Skerath
ParisMitridate, re di PontoVersion de concert
Mozart: Mitridate, re di Ponto, K87 (K74a)
Francesco Corti; Kammerorchester Basel; Ian Koziara; Francesca Pia Vitale; Chiara Skerath
AmsterdamOrfeo ed EuridiceNouvelle production
Gluck: Orfeo ed Euridice
Francesco Corti; Ted Huffman; Dutch National Opera; Bart Van Merode; Bertrand Couderc; Orchestre de Chambre des Pays-Bas
Critiques récentesEn voir plus...
Bergman à l'opéra : Fanny and Alexander à La Monnaie
L'adaptation opératique du film d'Ingmar Bergman ne se distingue certes pas par l'originalité de sa musique mais n'en demeure pas moins une réussite, dotée d'une grande profondeur psychologique.
Aribert Reimann’s Lear takes off at Tempelhof Airport
Relentlessness is the keyword of Aribert Reimann’s modernist Lear, in a stripped-down new Komische Oper Berlin production by Barrie Kosky.
Die Hoffnung stirbt zuletzt: Drei Schwestern von Eötvös in Salzburg
Die Hommage an den 2024 verstorbenen ungarischen Komponisten wird zum Großerfolg: Evgeny Titov wartet mit einer schlüssigen Inszenierung auf, und Maxime Pascal steuert mit dem Klangforum Wien viel Atmosphärisches bei.
Hail Caesar! Glyndebourne’s celebrated Giulio Cesare returns
Louise Alder shines as Cleopatra, one of Baroque opera’s greatest creations, in the fourth Glyndebourne revival of Sir David McVicar's much-loved production.
Joélle Harvey is outstanding in Glyndebourne's incendiary Semele
Adele Thomas makes a good case for Semele's operatic credentials in her production which makes effective nods towards Baroque opera’s devotion to spectacle.
Ballett Zürich's Monteverdi celebrates music in dance
Blending the music of Monteverdi with lesser-known contemporaries, and even some pop, choreographer Christian Spuck takes leave of Zürich with a work that is as full of poetry as it is of emotional charge.