Hail Caesar! Glyndebourne’s celebrated Giulio Cesare returns

Aryeh Nussbaum Cohen (Giulio Cesare)

Louise Alder (Cleopatra) and Cameron Shahbazi (Tolomeo)

Louise Alder (Cleopatra) and dancers

Beth Taylor (Cornelia) and Svetlina Stoyanova (Sesto)

Cameron Shahbazi (Tolomeo)

Par Roy Westbrook, 24 juin 2024

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“Aryeh Nussbaum Cohen, strong and stirring as man of action, tender and poignant as would-be lover”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 23 juin 2024

Haendel, Jules César en Egypte (Giulio Cesare in Egitto)

Glyndebourne Festival Opera

Laurence Cummings, Direction

Sir David McVicar, Mise en scène

Robert Jones, Décors

Brigitte Reiffenstuel, Costumes

Paule Constable, Lumières

Orchestra of the Age of Enlightenment

The Glyndebourne Chorus

Aryeh Nussbaum Cohen, Jules César (Giulio Cesare)

Louise Alder, Cléopâtre (Cleopatra)

Beth Taylor, Cornélie (Cornelia)

Svetlina Stoyanova, Sextus (Sesto)

Cameron Shahbazi, Prolémée (Tolomeo)

Luca Tittoto, Achille (Achilla)

Ray Chenez, Nirenus (Nireno)

Andrew George, Chorégraphie

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Plus de critiques...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Hail Caesar! Glyndebourne’s celebrated Giulio Cesare in Egitto returns