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Artiste: Charlotte Bowden

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LondresMozart's Requiem

© Goldsmitths Choral Union Cadogan Hall
Mozart, Haydn, Schubert
Affinity Chamber Orchestra; Jack Apperley; Goldsmiths Choral Union; Charlotte Bowden; Merce Bruguera Abello; William Searle

LondresParsifalNouvelle production

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Wagner: Parsifal
Jakub Hrůša; Evgeny Titov; The Royal Opera; Étienne Pluss; Esther Bialas; DM Wood; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...

La Cappella Mediterranea à la fête pour ses 20 ans à Ambronay

Leonardo García-Alarcón dirige Acis et Galatée à Ambronay © Bertrand Pichène
Après une répétition ouverte au public, l'ensemble dirigé par Leonardo García-Alarcón a magnifiquement fêté ses 20 ans avec une belle interprétation d'Acis et Galatée de Haendel.

Weber's Oberon convinces musically but fails dramatically

Nicky Spence (Oberon) © BBC | Chris Christodoulou
The composer's final opera is virtually impossible to stage comfortably, but Sir Mark Elder makes a convincing case for more regular outings of its beautiful music.

Enigmatic and deeply moving: rare Rubbra at the Three Choirs Festival

The Three Choirs Festival Chorus in Gloucester Cathedral © James O’Driscoll
At Gloucester Cathedral, works by Cecilia McDowall and Edmund Rubbra, despite their indirectness and small scale, make an impact even stronger then Beethoven.

Confusion clouds any central critique in Clément's Don Giovanni

Andrei Bondarenko (Don Giovanni) and Sam Carl (Leporello) © Glyndebourne Productions Ltd. Photo: Richard Hubert Smith
Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne. 

Handel's Theodora at Snape

Irene’s "Bane of virtue" was the first moment at which a singer’s performance met the measure of the work.