Bachtrack logo

Artiste: David Cavelius

Live EventsEn voir plus...

BerlinLearNouvelle production

Nicole Chevalier (Regan), Scott Hendricks (Lear) and Rosie Aldridge (Goneril) © Monika Rittershaus
Reimann: Lear
Nicholas Carter; Barrie Kosky; Komische Oper Berlin; Rebecca Ringst; Klaus Bruns; Olaf Freese; Orchester der Komischen Oper Berlin

BerlinEugene Onegin

© Iko Freese  | drama-berlin.de
Tchaïkovski: Eugène Onéguine
Anna Skryleva; Barrie Kosky; Komische Oper Berlin; Rebecca Ringst; Klaus Bruns; Franck Evin; Orchester der Komischen Oper Berlin

BerlinMadama Butter­fly

© Jan Windszus
Puccini: Madama Butterfly
Yi-Chen Lin; Andrea Breth; Komische Oper Berlin; Raimund Orfeo Voigt; Ursula Renzenbrink; Alexander Koppelmann; Orchester der Komischen Oper Berlin

BerlinEchna­ton (Akh­na­ten)

© Monika Rittershaus
Glass: Akhnaten
Jonathan Stockhammer; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Klaus Bruns; Orchester der Komischen Oper Berlin

BerlinSemele

© Monika Rittershaus
Haendel: Semele
George Petrou; Barrie Kosky; Komische Oper Berlin; Natacha Le Guen de Kerneizon; Carla Teti; Alessandro Carletti; Orchester der Komischen Oper Berlin

BerlinThe Golden Cockerel

© Monika Rittershaus
Rimski-Korsakov: Le Coq d'or
James Gaffigan; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Victoria Behr; Franck Evin; Orchester der Komischen Oper Berlin
Critiques récentesEn voir plus...

Au Komische Oper, on ne se lasse pas des Perles de Cléopâtre

Les Perles de Cléopâtre au Komische Oper © Iko Freese / drama-berlin.de
Comique et extravagance olé olé sont les mots clés de cette production réjouissante signée Barrie Kosky et incarnée par une distribution aux multiples talents...

Aribert Reimann’s Lear takes off at Tempelhof Airport

Nicole Chevalier (Regan), Scott Hendricks (Lear) and Rosie Aldridge (Goneril) © Monika Rittershaus
Relentlessness is the keyword of Aribert Reimann’s modernist Lear, in a stripped-down new Komische Oper Berlin production by Barrie Kosky.

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

Ema Nikolovska (Orlando) and Karolina Gumos (Queen) © Jan Windszus Photography
The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

Handel’s Belshazzar at Komische Oper Berlin

Belshazzar © Jan Windszus

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Ambur Braid (Katerina Izmailova) © Monika Rittershaus
Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid. 

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Dagmar Manzel (Mrs Lovett) and Christopher Purves (Sweeney Todd) © Jan Windszus Photography
With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.