| samedi 24 octobre 2026 | 19:00 |
| samedi 31 octobre 2026 | 19:30 |
| samedi 14 novembre 2026 | 19:30 |
| dimanche 22 novembre 2026 | 18:00 |
| samedi 12 décembre 2026 | 19:30 |
| mercredi 16 décembre 2026 | 19:00 |
| mardi 22 décembre 2026 | 19:00 |
| vendredi 25 décembre 2026 | 18:00 |
| Komische Oper Berlin | ||
| Anna Skryleva | Direction | |
| Barrie Kosky | Mise en scène | |
| Rebecca Ringst | Décors | |
| Klaus Bruns | Costumes | |
| Franck Evin | Lumières | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| Simon Berger | Dramaturgie | |
| David Cavelius | Chef de chœur | |
| Alex Köhler | Contre-ténor | Guillot |
| Hubert Zapiór | Baryton | Eugène Onéguine |
| Penny Sofroniadou | Soprano | Tatiana |
| Maya Gour | Mezzo-soprano | Olga |
| Dimitry Ivashchenko | Basse | Prince Grémine |
| Karolina Gumos | Mezzo-soprano | Madame Larina |
| Ulrike Helzel | Mezzo-soprano | Filipievna |
| Carsten Lau | Baryton-basse | Capitaine |
| Jan-Frank Süße | Baryton-basse | Capitaine |
| Christoph Späth | Ténor | Monsieur Triquet |
With stunning natural imagery and attention to every detail, Barrie Kosky presents Tchaikovsky’s soulful drama about the hopes, longings, and failures of four young people who come to realize in the end that happiness was almost within reach. When the poet Lensky visits his fiancée Olga and brings along his mysterious friend Eugene Onegin, Olga’s introverted sister Tatyana is immediately hooked. But Onegin rejects her advances. Years later, he meets her again, but now it is she who doesn’t want to hear his sudden pleas for love…
It was with Eugene Onegin that Tchaikovsky achieved his breakthrough as an opera composer, making an unparalleled contribution to modern music theatre. Here, with its opulent stage design, Barrie Kosky’s production captures the poetry of the characters and their tragedy, set in the vastness of a natural space. Supported by Tchaikovsky’s unforgettable music, Eugene Onegin is a ‘delicate psychogram of young people who are just learning for the first time what irreversible decisions truly mean’ [BR KLASSIK].
Eugène Onéguine, Op.24 par Barrie Kosky, nos comptes-rendus

