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Artiste: Hyemi Shin

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LondresI puritaniNouvelle production

Lisette Oropesa (Elvira) © RBO | Tristram Kenton
Bellini: I Puritani (Les Puritains)
Riccardo Frizza; Richard Jones; The Royal Opera; Hyemi Shin; Nicky Gillibrand; Adam Silverman; Orchestra of the Royal Opera House Covent Garden

FlorenceWozzeckNouvelle production

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Berg: Wozzeck
Thomas Guggeis; Deborah Warner; Maggio Musicale Fiorentino; Hyemi Shin; Nicky Gillibrand; Adam Silverman; Orchestra del Maggio Musicale Fiorentino

LondresCosì fan tutteNouvelle production

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Mozart: Così fan tutte
Thomas Hengelbrock; Netia Jones; The Royal Opera; Hyemi Shin; Lucy Carter; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...

Lisette Oropesa the jewel in Covent Garden’s new Puritani crown

Lisette Oropesa (Elvira) © RBO | Tristram Kenton
The role of Elvira in Bellini’s I puritani contains the most challenging mad scenes in all opera, but soprano Lisette Oropesa dazzles on the opening night of Richard Jones’ new production.

Richard Jones’ clunky Samson et Dalila returns to Covent Garden

Samson et Dalila, Act 3 © RBO | Mihaela Bodlovic
With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.

Michael Keegan-Dolan’s Teaċ Daṁsa in Mám: a cracker of a show!

Michael Keegan-Dolan's Mám for Teaċ Daṁsa © Ros Kavanagh
Mám transports the viewer into another world, surreal yet identifiable at the Marlowe Theatre, Canterbury.

Pure genius: How to be a Dancer in Seventy-two Thousand Easy Lessons

Teaċ Daṁsa, Michael Keegan-Dolan in How to be a Dancer in Seventy-two Thousand Easy Lessons © Fiona Morgan
A most entertaining evening of dance theatre from Michael Keegan-Dolan and Rachel Poirier at Sadler's Wells East. 

Soaring orchestral themes, minimalist staging: Eugene Onegin

Liparit Avetisyan (Lensky), Avery Amereau (Olga) © Royal Ballet and Opera | Tristram Kenton
The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.

A strangely unique work: Michael Keegan-Dolan's MÁM

Teaċ Daṁsa in Michael Keegan-Dolan's MÁM © Richard Gilligan
MÁM is a performance that demands attention through an extraordinary chain of surreal events.