Artiste: John Andrews

C’est que la Lucia de Bernadette Grimmett n’est pas révisionniste, et ne confond pas regard et distanciation : à rebours des malentendus transformant la meurtrière en vengeresse, et la victime en femme forte, Lucia n’apparaît ici qu’en elle-même. 

All praise should be heaped on Rosie Middleton for her brave evocation and the vocal prowess of her performance in Peter Maxwell Davies’ Eight Songs for a Mad King. 

Joining OHP's 2019 production of Wolf-Ferrari's charming domestic comedy, a blazing new production of Pagliacci delivers everything that one could want from Leoncavallo's infamous opera. 

Michael Chance takes the audience around The Grange in a thoughtful show combining opera excerpts, dance, acrobats, vocal and instrumental music.

English Touring Opera open their autumn season with the first of two Singspiels. 

Wolf-Ferrari's Il segreto di Susanna provides an airy bon-bouche to Tchaikovsky's Iolanta, brilliantly sung by Natalya Romaniw and David Butt Philip and conducted to fairy-tale perfection by Sian Edwards