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Artiste: John Brancy

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LeedsEugene OneginNouvelle production

John Brancy (Onegin) and Verity Wingate (Tatyana) © James Glossop
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North

Newcastle upon TyneEugene OneginNouvelle production

© Photography by Feast
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North

SalfordEugene OneginNouvelle production

© Photography by Feast
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North

NottinghamEugene OneginNouvelle production

© Photography by Feast
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North

GenèveTheodoraNouvelle production

© GTG / Ronald Curchod
Haendel: Theodora
Raphaël Pichon; Krzysztof Warlikowski; Grand Théâtre de Genève; Małgorzata Szczęśniak; Felice Ross; Orchestre de la Suisse Romande

RotterdamCarmina Burana

© National Choir Of Ukraine "Dumka"
Sibelius, Orff
Orchestre philharmonique de Rotterdam; Dalia Stasevska; Miriam Kutrowatz; Anthony Gregory; John Brancy; National Choir of the Ukraine "Dumka"
Critiques récentesEn voir plus...

Crebassa bouleverse l'Opéra-Comique dans Picture a day like this

Marianne Crebassa dans Picture a day like this à l'Opéra-Comique © S. Brion
Le dernier opéra de George Benjamin (créé à Aix-en-Provence en 2023) remporte un triomphe mérité, emmené par une Marianne Crebassa au sommet de son art.

Leçons de deuil : triomphe à Aix de Picture a day like this

Marianne Crebassa (La Femme) © Jean-Louis Fernandez
Le quatrième opéra de Sir George Benjamin et Martin Crimp partage les meilleures qualités de leurs œuvres précédentes, mais propose en plus une fable inspirante et époustouflante.

Half-baked direction mars a musically splendid Onegin for Opera North

John Brancy (Onegin) and Verity Wingate (Tatyana) © James Glossop
Opera North dips a toe into the murky pond of ‘director’s theatre’, but sadly, theirs is a concept from the shallow end that barely wets its ankles. 

Funereal Fauré and Gounod from Equilbey, accentus and Insula

Insula, accentus, John Brancy and Laurence Equilbey © Mark Allan | Barbican
Gorgeous French music, polished choral singing and excellent soloists are marred by an overwhelmingly dark timbre and unsympathetic video.

Intriguing, mysterious, intense: Picture a day like this at the ROH

Ema Nikolovska (Woman) and John Brancy (Artisan) © ROH | Camilla Greenwell
Sir George Benjamin and Martin Crimp’s new chamber opera receives a powerful UK premiere in the Linbury Studio at Covent Garden. 

The fat knight sings in Bard Festival's Sir John in Love

Ann Toomey, Craig Colclough, Sarah Saturnino © Bard Music Festival | Stephanie Berger
A two-week Ralph Vaughan Williams retrospective closed with his gentle, folksy spin on Shakespeare's Merry Wives of Windsor.
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