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Artiste: Jordan De Souza

Critiques récentesEn voir plus...

Contrastes de saison : de Souza, Hornung et l’Orchestre Métropolitain

À la Maison Symphonique de Montréal, l'Orchestre Métropolitain et le violoncelliste Maximilian Hornung ont livré une prestation admirable, sous la direction inspirée de Jordan de Souza.

Click bait: an effective new Traviata at the Komische Oper

Nicola Raab's production doesn't quite provide the bold rethinking it promises, but stylish execution and a fine cast make for an effective modern Traviata

Kosky's mesmerising Magic Flute in Auckland

The Queen of the Night appeared as a malevolent giant spider, complete with exoskeleton, threatening Tamino with her stabbing limbs and summoning hordes of smaller spiders to writhe over Pamina when the latter hesitated to commit to Sarastro's murder.

When death is an old-fashioned portrait

The new version of La bohème at the Komische Oper Berlin follows a hard Verismo-beat.

Voltaire à la Kosky: a magical Candide at Komische Oper

Serious farce, warm-hearted sarcasm, operatic Broadway: Barrie Kosky and Komische Oper turn Bernstein's problem child into a show that thrills from start to finish.

Pelléas et Mélisande: Kosky's sleep-talking, nightmare

There’s no doubt that Mélisande endeavours to escape past troubles when she first appears in Barrie Kosky’s production of Debussy’s opera, yet Nadja Mchantaf is no reticent, wispy maiden. Every vocal and physical gesture – always precise and penetrating – displays an atypically forthright quest for vitality, something that Arkel’s chauvinistic world does not readily offer.