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Artiste: Kerem Hasan

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AmsterdamElgar's Cello Concerto with Anastasia Kobekina

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Weber, Elgar, Tchaïkovski
Residentie Orkest The Hague; Kerem Hasan; Anastasia Kobekina

HambourgAnna Lapwood

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Arakelyan, Zimmer, Richter, Saint-Saëns
Philharmonia Orchestra; Kerem Hasan; Kammerchor I Vocalisti; Kammerchor ChorWerk Potsdam; Anna Lapwood

Francfort-sur-le-MainAnna Lapwood

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Arakelyan, Zimmer, Richter, Saint-Saëns
Philharmonia Orchestra; Kerem Hasan; Anna Lapwood; Kammerchor I Vocalisti; Kammerchor ChorWerk Potsdam

CologneAnna Lapwood

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Arakelyan, Zimmer, Richter, Saint-Saëns
Philharmonia Orchestra; Kerem Hasan; Mädchenchor am Essener Dom; Anna Lapwood

DresdeMozart Prager Sinfonie

Dresdner Philharmonie
Mozart, Tabakova, Janáček
Dresdner Philharmonie; Kerem Hasan; Ksenija Sidorova

AmsterdamTchaikovsky’s Sixth and Anastasia Kobekina plays Dvořák

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Dvořák, Tchaïkovski
Residentie Orkest The Hague; Kerem Hasan; Anastasia Kobekina
Critiques récentesEn voir plus...

Dead Man Walking at English National Opera: a superb execution

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Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

La rondine: a feast of lyricism and nostalgic sentimentality

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James Hurley directs a new production of Puccini's neglected opera to close Opera North's Green Season. 

Kerem Hasan conducts an exhilarating Tchaikovsky Fifth in Tokyo

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Exciting Tchaikovsky from the Yomiuri Nippon Symphony Orchestra, while Leeds winner Eric Lu is the sensitive soloist in Chopin's Second Concerto.

Toronto Symphony Orchestra goes bold with Britten and Mazzoli

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They may have come out for the Mozart, but it is the boldly programmed Britten and Mazzoli that make this midwinter concert stand out. 

On a knife-edge: Carmen returns to English National Opera

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Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

Inspiration from fairyland and fairy tales for Kerem Hasan and the RPO

A standard programme of overture, concerto and symphonic suite, but with mixed results: Kerem Hasan and the RPO bring out all the vibrancy in Rimsky-Korsakov whereas Fumiya Koido disappoints in Beethoven.
Articles récents

Day 3 in the Donatella Flick Conducting Competition 2016

The day has arrived… the moment of truth when the final three conductors left standing after two grueling days of competition at the Guildhall School of Music & Drama finally face the London Symphony Orchestra in a battle to win the coveted title of Assistant Conductor of the LSO and a £15,000 bursary.