Critiques récentesEn voir plus...
Flawed staging, compelling singing: Eurydice at Boston Lyric Opera
Conducting a reduced version of his own opera, Matthew Aucoin's Eurydice still packs a big punch.
Stacey Alleaume leads WNO's emotionally-charged Traviata
Leading an international cast in a still-sumptuous revival in Southampton's Mayflower, Stacey Alleaume gives a sovereign performance as the ill-fated courtesan Violetta.
Warlikowski’s prison: From the House of the Dead in Rome
The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko conducting.
Full fathom five: Peter Grimes at La Fenice
Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
Opera Philadelphia returns to Broad Street in an awkward homecoming
Unstaged performances of Stravinsky's Oedipus Rex and George Walker's Lilacs highlighted musical inadequacies and deprived audiences of the creative productions they've come to expect from this company.
A White House Rigoletto with some impressive voices
Welsh National Opera brought a cast of strong voices to Birmingham for a production of Rigoletto intriguingly set in the White House of the 1960s.