Flawed staging, compelling singing: Eurydice at Boston Lyric Opera

Sydney Mancasola (Eurydice)

Elliot Madore (Orpheus) and Sydney Mancasola (Eurydice)

Nicholas Kelliher (Orpheus' double) and Eliot Madore (Orpheus)

Maggie Finnegan, Alexis Peart and Neal Ferreira (Three Stones)

Par Kevin Wells, 13 mars 2024

Chargement en cours, veuillez patienter...

Voir le listing complet

“Sydney Mancasola met the vocal challenges of the title role, with its high Ds, with verve and aplomb”

Critique faite à Huntington Theatre, Boston, le 10 mars 2024

Aucoin, Eurydice

Boston Lyric Opera

Douglas Fitch, Mise en scène, Décors, Costumes

Jorge Arroyo, Lumières

Sydney Mancasola, Eurydice

Elliot Madore, Orpheus

Mark S Doss, Eurydice's father

Nicholas Kelliher, Orpheus Double

David Portillo, Hades

Maggie Finnegan, Little Stone

Alexis Peart, Big Stone

Neal Ferreira, Loud Stone

Junhan Choi, Ténor

Vera Savage, Mezzo-soprano

Boston Lyric Opera’s Macbeth is hobbled by miscalculations

Kevin Wells, 10th October

David Angus leads a taut, spirited performance, but Steve Maler’s staging of Verdi's first Shakespearean opera raises many questions.

**111

Korngold’s Die tote Stadt, more alive than ever in Boston

Cameron Kelsall, 30th January

The composer's magnum opus, unjustly neglected in English-speaking countries, receives magnificent treatment from Andris Nelsons and the Boston Symphony Orchestra, anchored by David Butt Philip and Christine Goerke.

*****

Beantown rags to riches: BLO’s Cenerentola an unalloyed delight

Kevin Wells, 12th November

Impeccable ensemble work in Dawn M Simmons' first foray into opera.

*****

Harrowing intimacy: Boston Lyric Opera’s Bluebeard’s Castle

Kevin Wells, 26th March

Boston Lyric Opera decamps to a 1919 wharf shed for a production of Bartók's eerie two-hander, framed by four of Alma Mahler's songs.

****1

Merrily We Roll Puccini: Boston Lyric presents Bohème in reverse

Kevin Wells, 30th September

Yuval Sharon’s production of La bohème turns the opera upside down... with captivating consequences.

****1

Acustica rusticana: Boston Lyric’s first-rate Cavalleria hobbled

Kevin Wells, 3rd October

The white hot intensity and conviction of the duet between Santuzza and Turiddu encapsulated the strengths of this performance.

***11

Plus de critiques...

Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!

Flawed staging, but compelling singing Matthew Aucoin’s Eurydice at Boston Lyric Opera