En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mark S Doss

Pour l’ouverture de la saison du Teatro Regio de Turin portait à l’affiche le très célèbre Aïda de Giuseppe Verdi. Le montage du chef-d’œuvre amenait une collaboration inédite avec le Museo Egizio de la ville, considéré comme l’une des collections archéologiques égyptiennes les plus riches du monde après le Musée du Caire.

Welsh National Opera brought a cast of strong voices to Birmingham for a production of Rigoletto intriguingly set in the White House of the 1960s. 

Eric Owens singt Porgy mit Leib und Seele und ist mit seiner charismatischen Ausstrahlung der unbestrittene Held dieser Oper.

La OCNE dirigida brillantemente por Nagano y con Sean Panikkar encabezando un sólido reparto vuelven a traer a Madrid The Bassarids la obra maestra de Henze veinte años después.

Carlo Rizzi conducts WNO's Tosca revival in Cardiff.

Even stronger than first time round, Michieletto's impressive staging is complemented by an outstanding double role debut from Hymel and a heartbreaking Santuzza from Elīna Garanča.

Dorset Opera's second opera of their season saw a fiendishly good performance from Mark S Doss as Méphistophélès supported by a strong cast in Christopher Cowell's economical production.

The Comunale had teamed up with Bologna's basketball team Virtus to create a 50%-off ticket deal aimed at drawing new audiences. The subject matter of this opera might not seem the most immediately accessible, but this was playing to capture the imaginations of opera newbies.

A concert performance of Dvořák’s Dimitrij opened the fourth season of Boston’s intrepid Odyssey Opera, constituting the US première of Milan Pospíšil’s 2004 critical edition of the original 1882 score. 

Hot on the heels of its Eugene Onegin, full of potential marriages that never reach the altar, Dorset Opera put on an excellent production of an opera with a successful, slick and murderous power couple.

Aida typifies all that is grand about opera. Its exotic setting, majestic music, and dramatic love triangle can make for an evening unique among performing arts events. It’s not a bad way to close an opera season either. San Diego Opera did so on Saturday, capping a uniformly satisfying season with Zandra Rhodes’ vibrant production that was refreshing and at times thrilling.

Two years ago, my voice teacher invited to my very first Messiah performance with the Downers Grove Choral Society, of which he was the director. During the three-hour performance, I vividly recall feeling incredibly uplifted in indescribable spiritual bliss for the whole time I spent in the seat, intensely listening to the historically-informed rendition.