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Turandot as psychological landscape in Ann Yee's Opera Australia staging

Rebecca Nash (Turandot)
© Keith Saunders
Hoyori Maruo (Lou-Ling) and Rebecca Nash (Turandot)
© Keith Saunders
Young Woo Kim (Calaf)
© Keith Saunders
Gregory Brown (Emperor), ensemble and Opera Australia Chorus
© Keith Saunders
Opera Australia Chorus and dancers
© Keith Saunders
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“in any case, Turandot is an opera, the success of which depends on suspending our disbelief”
Critique faite à Sydney Opera House: Joan Sutherland Theatre, Sydney, le 15 janvier 2026
Puccini, Turandot
Opera Australia
Henrik Nánási, Direction
Ann Yee, Mise en scène, Chorégraphie
Elizabeth Gadsby, Décors
David Fleischer, Costumes
Paul Jackson, Lumières
Opera Australia Orchestra
Opera Australia Chorus
Rebecca Nash, Turandot
Young Woo Kim, Calaf
Maria Teresa Leva, Liù
Richard Anderson, Timur
Gregory Brown, Empereur Altoum
Luke Gabbedy, Ping
Michael Petruccelli, Pang
John Longmuir, Pong
Shane Lowrencev, Mandarin
Tahu Matheson, Direction
Opera Australia's Children's Chorus
Opera Australia’s Eugene Onegin shines musically
****1
Humperdinck hobbled in Opera Australia revival
***11
Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney
****1
Watery magic as Nicole Car makes a triumphant return to Sydney
****1
Danielle de Niese makes Carmen debut in a colourful new Sydney staging
****1
Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney
****1
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