Live EventsEn voir plus...
New YorkPaul Taylor Dance Company
Mackey, Nikolais, Bach
Robert Battle; Alwin Nikolais; Paul Taylor; Paul Taylor Dance Company; David LaMarche; Santo Loquasto; Jennifer Tipton; Orchestra of St Luke's
New YorkBerlioz’s Symphonie fantastique
Berlioz
Orchestra of St Luke's; Louis Langrée; Benjamin Bernheim
New YorkFrom Opera to Hollywood
Verdi, Puccini, Bizet, Morricone, Zimmer, Rota
Orchestra of St Luke's; Darko Butorac; Tamara Radjenović; Murat Karahan
New YorkHildegard von Bingen and Sofia Gubaidulina
von Bingen, Goubaïdoulina, Snider
St Luke's Chamber Ensemble; Megan Moore
New YorkOn the Town in Concert
Bernstein: On the Town
Orchestra of St Luke's; Rob Berman; Shuler Hensley
Critiques récentesEn voir plus...
More than a love story, Australian Ballet’s Oscar comes to New York
Moments of great poignancy and imagination, splendid dancing, and some missed opportunities in Christopher Wheeldon’s Oscar for Australian Ballet which came to New York City Center last week.
Poise over fire: McGegan, Chen and the Orchestra of St Luke’s
A late substitution turns a violinist-led showcase into a polished, orchestra-centred Bach Festival evening at Carnegie Hall.
Pichon crafts inventive Beethoven program with Orchestra of St Luke's
The French conductor pairs Beethoven’s Ninth Symphony with several of the composer’s more obscure miniatures, performed alongside thematically related poetry.
A resplendent St John Passion at Carnegie Hall
Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion.
Promethean Fire and an homage to Carolyn Adams ignite Paul Taylor
A chilling masterpiece, a tribute to a beloved dancer, and the announcement of a new resident choreographer galvanized the Paul Taylor Dance gala audience at New York's Lincoln Center.
Three premieres – heard twice – in New York
It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments.