Pichon crafts inventive Beethoven program with Orchestra of St Luke's

Raphaël Pichon conducts the Orchestra of St Luke's

Liv Redpath, Beth Taylor, Laurence Kilsby and Alex Rosen

Par Cameron Kelsall, 07 novembre 2025

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“Raphaël Pichon energized the interpretation with fresh ideas and an inventive approach to structure”

Critique faite à Carnegie Hall: Stern Auditorium, New York, le 6 novembre 2025

Beethoven, König Stephan (King Stephen), Op.117: Geistlicher Marsch

Beethoven, Persischer Nachtgesang (arr. Friedrich Silcher)

Beethoven, Incidental Music "to Leonore Prohaska", WoO 96 (selection)

Beethoven, Symphonie no. 9 en ré mineur, Op.125

Liv Redpath, Soprano

Beth Taylor, Mezzo-soprano

Laurence Kilsby, Ténor

Alex Rosen, Basse

Clarion Choir

Orchestra of St Luke's

Raphaël Pichon, Direction

Kinan Azmeh offers a sampling of delights with St Luke’s

No’a L. bat Miri, 15th April

As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

****1

Minimalism with a beating heart: Julius Eastman's Femenine

Kurt Gottschalk, 4th February

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

****1

A resplendent St John Passion at Carnegie Hall

Susan Stempleski, 10th April

Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion.

****1

Promethean Fire and an homage to Carolyn Adams ignite Paul Taylor

Carla Escoda, 6th November

A chilling masterpiece, a tribute to a beloved dancer, and the announcement of a new resident choreographer galvanized the Paul Taylor Dance gala audience at New York's Lincoln Center.

****1

Three premieres – heard twice – in New York

Kurt Gottschalk, 25th July

It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments.

***11

St Luke's Chamber Ensemble finds the joy in Julius Eastman

Kurt Gottschalk, 22nd June

In their “Visionary Sounds” concert, the ensemble lets Eastman's Stay On It fall into abandon at times... but never without a plan.

****1

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Raphaël Pichon crafts inventive Beethoven program with Orchestra of St Luke's