Critiques récentesEn voir plus...
Las aguas estancadas de Lady Macbeth de Mtsenk
Àlex Ollé regresa para inundar el mundo de Katerina Ismailova; un recorrido de una muerte en vida de una protagonista envuelta por el vacío.
La herida que no sana: Parsifal de Claus Guth en el Liceu
Esta coproducción del Liceu y el Opernhaus Zürich, estrenada en el 2011, vuelve al escenario catalán para devolver un Parsifal que cuestiona las promesas de un futuro mejor.
Carthage carnage: Tcherniakov's Trojans flops at the Bastille
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.
No muddle, just music: ROH Lady Macbeth of Mtsensk
The Royal Opera Orchestra produce a revelatory reading of Shostakovich’s eclectic score; a fine performance from Eva-Maria Westbroek and excellent acting from the whole cast light up the drama and farce.
Don Carlo revival fails to completely catch fire
Has Health and Safety finally caught up with the Spanish Inquisition? A flameless auto-da-fé and some low-key individual performances meant this revival took time to hit its stride.
Met's Barber bubbles with coloratura and camp
There’s nothing like a trip to The Barber to refresh you. This season, the Metropolitan Opera revives Bartlett Sher’s 2006 production of Rossini’s comic masterpiece, The Barber of Seville.
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ParisLes Troyens
Berlioz: Les Troyens
Philippe Jordan; Dmitri Tcherniakov; Opéra national de Paris; Elena Zaytseva; Gleb Filshtinsky; Orchestre de l'Opéra national de Paris