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Artiste: Rachel Nicholls

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GloucesterGlagolitic Mass

© James O'Driscoll
Elgar, Poulenc, Janáček
Philharmonia Orchestra; Adrian Partington; Katelyn Emerson; Rachel Nicholls; Hilary Summers; Gwyn Hughes Jones

LondresBach Collegium Japan: Handel’s Messiah

Barbican
Haendel: Le Messie
Masato Suzuki; Bach Collegium Japan; Rachel Nicholls; Terry Wey; Mauro Peter
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Un Wagner minimaliste, pour une quintessence du drame romantique

Pour la première de la saison lyrique romaine, Daniele Gatti amenait l’Orchestra e Coro del Teatro dell’Opera di Roma dans un Richard Wagner épuré.

Tristan und Isolde au Théâtre des Champs-Elysées

Pour ce Tristan und Isolde proposé au Théâtre des Champs-Elysées, Daniele Gatti dirige un Orchestre National de France très inspiré et un duo vocal en or, Torsten Kerl et Rachel Nicholls, étoiles d'une distribution équilibrée. Une production vraiment satisfaisante, dans une mise en scène soignée de Pierre Audi.

Grange Park Opera’s Ring cycle opens with an excellent Rheingold

David Stout (Alberich), James Rutherford (Wotan) and Mark Le Brocq (Loge) © Marc Brenner
Launching that most ambitious of endeavours, a Ring cycle, Grange Park Opera’s production of Das Rheingold proves a real achievement, led by the superb Alberich of David Stout.

Welsh National Opera’s Dutchman docks in Birmingham

Simon Bailey (Dutchman) and Rachel Nicholls (Senta) © Craig Fuller
This bracing performance of The Flying Dutchman is a powerful reminder of the extraordinary musical standards which are at risk in the face of WNO’s subsidy cuts. 

Ukraine matters: Tchaikovsky’s Mazeppa at Grange Park Opera

David Stout (Mazeppa) and Rachel Nicholls (Mariya) © Marc Brenner
Why is Tchaikovsky’s very fine opera still a rarity outside Russia? David Pountney directs a new production at the Surrey festival. 

Prescient then, terrifying now: The Handmaid’s Tale at ENO

Avery Amereau (Serena Joy) and Kate Lindsey (Offred) © ENO | Zoe Martin
Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.