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Fear in future past: Siegfried at Houston Grand Opera
The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end.
Mal was Anderes: Salome in Kapstadt
Kapstadt wagt den lohnenden Blick über den Tellerrand des Belcanto und zeigt eine Salome von begeisternder gesanglicher Leistung.
Magical debuts make the myth alive in Houston Grand Opera's Rusalka
Antonín Dvořák’s Rusalka, moving between the worlds and rooted in myth, is a shivering opera to experience with its opulent music and its fantastical plot.
Operatic righteous anger or self-indulgence?
A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.
Götterdämmerung as Chamber Opera in Vienna
Sir Simon Rattle concludes the Ring Cycle in Vienna with a detailed and intricate reading of the opera with an excellent cast.
Stephen Gould triumphs as Siegfried in Vienna
The evening clearly belonged to Stephen Gould’s Siegfried and Sir Simon Rattle and Vienna Orchestra.