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SeattleMorlot Conducts The Sounds of Spring
Bridge, Adams, Schumann
Seattle Symphony; Ludovic Morlot; Conor Hanick
SeattleLeila Josefowicz Returns
Chin, Szymanowski, Stravinsky
Seattle Symphony; Jonathan Stockhammer; Leila Josefowicz
SeattleTchaikovsky’s First Piano Concerto and Zarathustra
Tchaïkovski, Strauss R.
Seattle Symphony; Xian Zhang; Tony Siqi Yun
SeattleMozart’s Requiem with Xian
Pereira, Mozart
Seattle Symphony; Xian Zhang; Eric Schweikert; Mei Gui Zhang; Sarah Larsen; Eric Ferring
SeattleHandel’s Messiah
Haendel: Le Messie
Seattle Symphony; Jean-Sébastien Vallée; Sarah Dufresne; Nicholas Burns; James Ley; Enrico Lagasca
Critiques récentesEn voir plus...
From chamber intimacy to the edge of chaos: Ehnes and Zhang in Seattle
James Ehnes brings chamber-like intimacy to Bruch before Xian Zhang drives Symphonie fantastique from private obsession to hallucinatory spectacle.
Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen
Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.
Nicholas McGegan brings delicacy and elegance to Mendelssohn
The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.
Ioffe conducts the Seattle Symphony in varied faces of Romanticism
Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.
Ivars Taurins leads the Seattle Symphony in Baroque feast
A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.
Articles récents
The crisis facing US classical music: Douglas McLennan
Longtime music journalist and founder of ArtsJournal talks about the multiple crises facing orchestras and arts organisations in the United States, amid the damage wrought by the second Trump administration.