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Kuss der Venus: neue Pique Dame an der Deutschen Oper Berlin
In seiner neuen Inszenierung schafft Sam Brown mit naturalistischem Bühnenbild einen librettotreuen Kostüm- und Kulissenschinken, der die Zeiten transzendiert. Dabei heraus sticht Doris Soffel mit extravaganter Bühnenpräsenz.
The Queen is back: Semiramide in Pesaro
Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.
Korngold's Die tote Stadt at La Scala for the first time: a triumph
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
La flauta mágica en Les Arts: Mozart como chirigota
La presentación de La flauta mágica de Vick en Les Arts prometía una intensidad subversiva que resultó tan solo una sucesión de clichés trasnochados.
Vick's new Magic Flute opens the Macerata festival
The Magic Flute's roots in popular theatre come through most strongly throughout Vick's production, which sparkles with a wealth of witty detail. But treatment of the work's socio-political undercurrents doesn't work nearly as well.
Vick finds modern relevance in Cavalli's Hipermestra
The advantage of staging a rare opera such as Cavalli's Hipermestra at Glyndebourne this year is that the director can work with a blank canvas without audience’s preconceptions.