Abraham.In.Motion

Par Carla Escoda, 17 mai 2017

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“movement coursed through the dancers like unpredictable bursts of electromagnetic energy”

Critique faite à Yerba Buena Center for the Arts Theater, San Francisco, le 16 mai 2017

Dearest Home (Kyle Abraham, Abraham.In.Motion)

Matthew Baker, Danse

Catherine Ellis Kirk, Danse

Jeremy Jae Neal, Danse

Connie Shiau, Danse

Marcella Lewis, Danse

Stephanie Terasaki, Danse

Pavement, le plaidoyer chorégraphique de Kyle Abraham

Laurine Mortha, 11th October

Le travail de Kyle Abraham, véritable chronique sur les conflits raciaux des banlieues noires américaines, s’inscrit dans une démarche artistique engagée. Son approche factuelle laisse pourtant la place à une recherche artistique originale et sensée, mêlant l’expressivité du break-dance à la douceur de la danse contemporaine.

****1

Pop goes postmodern: Kyle Abraham's Cassette Vol. 1 in New York

Carla Escoda, 16th April

A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year.

*****

Falling for Kyle Abraham, again, at New York City Ballet

Carla Escoda, 16th May

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

****1

Abraham's 2x4 is a bright spot in an uneven program

Ivy Lin, 22nd April

A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.

***11

Kyle Abraham’s An Untitled Love: a stunning piece of dance theatre

Amanda Jennings, 29th January

An Untitled Love is a brilliant piece of theatre centred on inventive, creative dance that enthrals and amuses whilst conveying several serious messages.

*****

Encounters: The Royal Ballet at its versatile best

Amanda Jennings, 22nd October

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

Plus de critiques...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

Kyle Abraham Brings Us Home: Dearest Home Premieres in San Francisco