A Rachmaninov troika from Odyssey Opera, with one lame horse

Mikhail Svetlov

Odyssey Opera in Jordan Hall

Aleksey Bogdanov

Par Kevin Wells, 27 septembre 2022

Chargement en cours, veuillez patienter...

Voir le listing complet

“Michael Svetlov’s Baron... was a tour de force of vivid declamation and characterization”

Critique faite à New England Conservatory: Jordan Hall, Boston, le 25 septembre 2022

Rachmaninov, Aleko

Rachmaninov, The Miserly Knight

Rachmaninov, Francesca da Rimini

Odyssey Opera

Gil Rose, Direction

Odyssey Opera Orchestra

Odyssey Opera Chorus

Aleksey Bogdanov, Aleko, Duke, Lanciotto Malatesta

Yelena Dyachek, Zemfira, Francesca Malatesta

Kevin Thompson, Zemfira's father, Servant, Ghost of Virgil

Andrew Bidlack, Young Gypsy, Paolo Malatesta

Mikhail Svetlov, Baron

Yeghishe Manucharyan, Moneylender, Dante

Spencer Hamlin, Albert

Odyssey Opera presents Menotti’s The Last Savage

Kevin Wells, 13th March

Odyssey Opera makes a convincing case that The Last Savage’s time has come.

*****

A tantalizing might-have-been: Arnold Rosner’s The Chronicle of Nine

Kevin Wells, 1st February

An earnest, posthumous premiere of a flawed opera from Odyssey Opera and the Boston Modern Orchestra Project.

****1

Odyssey Opera presents Pacini’s Maria, Regina d’Inghilterra

Kevin Wells, 3rd November

Odyssey Opera’s convincing revival of flawed Pacini in Boston.

****1

A rarity restored: Odyssey Opera’s Henry VIII

Kevin Wells, 21st September

Odyssey Opera's Tudor themed season opens with Saint-Saëns' Henry VIII in which Ellie Dehn's Catherine of Aragon steals the show.

****1

Odyssey Opera’s Die ägyptische Helena

Kevin Wells, 19th April

A concert performance in Boston of Strauss' rarely heard opera, The Egyptian Helen.

****1

Reform romcom: Odyssey Opera’s Paride ed Elena

Kevin Wells, 15th February

Helen of Troy is the theme for this half of Odyssey’s season, launched with Gluck's rarity.

****1

Plus de critiques...

Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!