Comedy falls flat in ENO's season opening Cinderella

Deepa Johnny (Cinderella) and Charles Rice (Dandini)

Cinderella

Simon Bailey (Don Magnifico) and the ENO Chorus

Deepa Johnny (Cinderella) and Aaron Godfrey Mayes (Don Ramiro)

Deepa Johnny (Cinderella)

Par Mark Valencia, 29 septembre 2025

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“Deepa Johnny... is blessed with the kind of honeyed timbre you could melt inside”

Critique faite à The London Coliseum, Londres, le 27 septembre 2025

Rossini, La Cenerentola (Cendrillon)

English National Opera

Yi-Chen Lin, Direction

Julia Burbach, Mise en scène

Herbert Murauer, Décors

Sussie Juhlin-Wallén, Costumes

Malcolm Rippeth, Lumières

English National Opera Orchestra

English National Opera Chorus

Deepa Johnny, Angelina (Cinderella)

Aaron Godfrey-Mayes, Don Ramiro

Charles Rice, Dandini, valet de Ramiro

Simon Bailey, Don Magnifico

David Ireland, Alidoro

Isabelle Peters, Clorinda

Grace Durham, Tisbe

Cameron McMillan, Chorégraphie

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Kicking down the door: The Marriage of Figaro revived at ENO

Dominic Lowe, 5th February

ENO's revival features a striking performance from Mary Bevan as bride-to-be Susanna, but elements of the staging continue to raise eyebrows.

****1

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

The comedy falls flat in English National Opera's season opening Cinderella