Proms Saturday Matinee 1: The Academy of Ancient Music and Sophie Bevan in Rome, 1707

Par Paul Kilbey, 22 juillet 2013

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Critique faite à Cadogan Hall, Londres, le 20 juillet 2013

Pasquini, Other

Corelli, Concerto grosso en ré majeur, Op.6 no. 1

Haendel, Pensieri notturni di Filli | Nel dolce dell'oblio, HWV 134

Valentini, Concerto grosso in A major for four violins, Op.7 no.1

Haendel, Il consiglio, HWV 170: Tra le fiamme

Corelli, Concerto grosso en fa majeur, Op.6 no. 12

Sophie Bevan, Soprano

Academy of Ancient Music

Richard Egarr, Direction musicale, Clavecin

Cummings and the AAM win ‘Leipzig's Got Talent’

Nick Boston, 16th April

The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.

*****

Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Mark Pullinger, 26th March

Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.

***11

Ed Lyon excels in Monteverdi’s Songs of Love and War

Stephen Pritchard, 12th February

Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.

*****

Strong team for a Good Friday St John Passion

Roy Westbrook, 18th April

The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican.

****1

Academy of Ancient Music delivers a majestic Messiah

Charlotte Gardner, 16th December

Laurence Cummings and the AAM serve up Messiah-shaped serenity at the Barbican.

****1

Actéon and Pygmalion: three transformations for the price of two

Roy Westbrook, 9th October

Ovid’s Metamorphoses makes an ideal curtain-raiser to the Academy of Ancient Music's new season, with works by Charpentier and Rameau conducted by Laurence Cummings... who also sings!

****1

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Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.