A new accordion concerto with the BBC Symphony Orchestra and Jakub Hrůša

Par Sarah Reid, 27 novembre 2012

Chargement en cours, veuillez patienter...

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Critique faite à Barbican Hall, Londres, le 24 novembre 2012

Janáček, La Petite Renarde rusée: suite

Hind, The Tiniest House of Time, for accordion and orchestra (BBC commission, world première)

Rimski-Korsakov, Shéhérazade, op.35

BBC Symphony Orchestra

Jakub Hrůša, Direction

James Crabb, Accordéon

Le Barbican Hall transfiguré par le BBC Symphony Orchestra

Nicolas Schotter, 21st October

Le Barbican Hall accueillait le BBC Symphony Orchestra et son chef Sakari Oramo pour un programme d'une remarquable cohérence, à de multiples niveaux, et dont la gradation dramatique a conquis l'assemblée.

****1

Beethoven et Lutoslawski par le BBC SO à Londres

Julie Jozwiak, 24th April

Le BBC Symphony Orchestra donnait un programme Beethoven/Lutoslawski au Barbican Hall. Le chef Michal Nesterowic et le pianiste Steven Osborne ont remplacé les têtes d'affiche initialement annoncées. Un changement de distribution qui n’a pas empêché la soirée d'être réussie.

***11

Sakari Oramo and Yeol Eum Son summon up vivid landscapes

Christopher Woodley, 13th March

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.

****1

From snow to sludge: Icelandic music at the Barbican Centre

Marat Ingeldeev, 22nd February

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

**111

Fine Lindberg and Stravinsky double bill from the BBC Symphony

Roy Westbrook, 6th February

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time.

****1

UK premiere of Julia Wolfe’s unEarth impresses on scale, not substance

Susannah Moody, 23rd January

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

**111

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Sarah Reid

Sarah studied Music at Cambridge University, graduating in 2010 and now works for Rhinegold Publishing coordinating their music directories and listings supplements. Sarah is a regular concert- and theatre-goer and appreciates most music – with the exception of heavy metal and Wagner.