Rechercher des critiques de musique classique, opéra et ballet | Jakub Hrůša

À la Philharmonie, l'Orchestre de Paris invite Jakub Hrůša à la direction, le violoniste Renaud Capuçon et la mezzo-soprano Stéphanie d'Oustac pour un programme riche et varié.

Malgré quelques imperfections, cette Veuve Joyeuse mérite qu’on s’y intéresse, ne serait-ce que pour la joie qu’elle distille en cette rentrée plutôt morose.

Albert Roussel disait de Bohuslav Martinů « ce sera mon chef-d'œuvre ». 

Un rush hour rutilant au Victoria Hall vendredi soir, dont le joyau fut certainement le hautbois somptueux d'Alexeï Ogrintchouk !

La production légendaire de Robert Carsen revient à l'Opéra de Paris, servie par un plateau soliste inégal. 

Un Stabat Mater de Dvorak puissant et noble servi par un choeur exceptionnel.

Mahler's Second Symphony receives an unforgettably committed and detail-rich performance at the Royal Festival Hall.

Expresivo concierto de Saint-Saëns interpretado por Sol Gabetta y una enérgica Séptima sinfonía de Dvořák dirigida por Jakub Hrůša.

Julia Fischer aborda brillantemente el injustamente poco interpretado Concierto de violín de Dvořák.

Jakub Hrůša, Hélène Grimaud und Kateřina Kněžíková entdecken Zwischentöne in großer Symphonik.

Stylish Mozart and volcanic Beethoven from the Philharmonia orchestra and their principal guest conductor Jakub Hrůša.

A brilliant programming decision paired Adams’s 9/11 memorial with Mahler’s life-affirming Symphony no. 4, with the fine soprano Joelle Harvey as soloist.

Jakub Hrůša led The Cleveland Orchestra in the politically-fraught First Violin Concerto of Shostakovich along with a suitably majestic Beethoven Eroica.

To outwit death and attain immortality is a dream as old as human history. But isn’t it precisely the finite nature of life that makes it so precious?

La Mahler Chamber Orchestra inaugura la 68 edición del Festival Internacional de Santander con Jakub Hrůša en la direccion.

The Bamberg Symphony Orchestra bring a wonderfully bucolic programme of Czech music to The Proms.

An outstanding account of Smetana's Ma vlást in Hamburg's Elbphilharmonie was prefaced by Straussian oboe nostalgia courtesy of Albrecht Mayer. 

Brillante Solisten in Konzerten von Copland und Martinů sind die symphonischen Erzähler eines abwechslungsreichen Konzertabends der Bamberger Symphoniker unter Leitung von Jakub Hrůša

Jakub Hrůša and Simon Trpčeski with the New York Philharmonic Orchestra impress at Lincoln Center with a programme of works from Central and Eastern Europe. 

After blazing new trails abroad, the Czech Philhamonic keeps its hometown fans happy with a rousing return to form.

The Tonhalle Orchestra Zürich recently struck a perfect balance of emotive and restraint in music by Brahms, Bartók and Saint-Saëns.

Dvořák’s Slavonic Dances were a treat and Simon Trpčeski was characteristically glistening in Shostakovich, but the surprise package turned out to be a rarely heard work by Kabeláč.

Jakub Hrůša returned to Cleveland to conduct a rarity by Kabeláč and a warhorse by Shostakovich while joining forces with Emanuel Ax for an interlude of Stravinsky.

Hrůša and the Bamberg Symphony produce Brahms of glorious warmth; Hans Abrahamsen's Let me tell you displays Barbara Hannigan at her most virtuosic.

Barbara Hannigan gibt mit den Bamberger Symphonikern eine zerbrechliche Vorstellung Abrahamsens Liederzyklus let me tell you.

Jakub Hrůša leads a brilliant performace of Dvořák’s Requiem, but it doesn't completely dispel doubts about the work.

Brilliant staging, superb acting, a magnetic performance from Virginie Verrez and an excellent orchestral performance make a strong case for Samuel Barber's all-but-forgotten chiller.

Jakub Hrůša und seine Bamberger Symphoniker gestalteten mit Christian Gerhaher eine fein gezeichnete Uraufführung von Jörg Widmann Das heiße Herz.   

Suk's five-movement "dance of death" gets a rare Cleveland outing under guest conductor Jakub Hrůša after Sergey Khachatryan performed Brahms' Violin Concerto.

An unusual programme at the Musikverein, drawing together works by Mendelssohn, Brahms and a piano concerto by Britten. 

How do you prepare a new production at a major opera house, then stroll across the Thames to lead a fine and distinctive Mahler Five? 

Interesting ideas and a brilliant orchestral performance aren't enough to overcome a visually dull staging, predictable choreography and a lack of chemistry between the protagonists.

Christian Gerhaher’s experience in a role he knows well rescued an evening of mitigated pleasures.

Pizzicatos justos y empastados, adecuado dominio del movimiento dinámico desde el golpe de arco, liderazgo de maderas, afinación exacta y balance logrado del colorido orquestal son algunas de las virtudes que conforman el racimo desplegado por el director checo y la Bamberger. 

Rhapsodisch-Romantisches von Sibelius und Smetana in Bamberg meisterhaft von Viktoria Mullova und Jakub Hrůša musiziert.

Bereft of its guiding light, the orchestra shows resiliency and promise with a familiar face at the podium.

The effervescent conductor took six little-known Czech works into another ether: one in which the footprints are invisible.

Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.

Schumanns Violinkonzert ist ein Werk, dem ein Ehrenplatz unter den ganz großen Konzerten des 19. Jahrhunderts gebührt, das den Vergleich mit demjenigen von Brahms nicht zu scheuen braucht.

Der rein ungarische Konzertabend hatte mit einer engagierten Interpretation des Konzerts für Orchester von Zoltán Kodály begonnen und endete mit dem absoluten Highlight des Abends, dem großartigen Konzert für Orchester von Béla Bartók.

A Slavic treat from Jakub Hrůša and the Philharmonia saw an ebullient Dvořák's Eighth Symphony, a German-Hungarian-Czech combo, and Julian Rachlin an admirable last-minute stand-in in Tchaikovsky.

The increasingly effulgent conductor filtered Brahms’ tone through a chandelier of variously-shaped orchestral figures.

The program also included Martinů’s undeservedly neglected Parables and restrained, lyrical Brahms.

When the Boston Symphony audience embraces a conductor with sustained, enthusiastic applause as they did with Jakub Hrůša, making his debut, they are not only expressing their approval; they are saying you belong.

“Out of this wood do not desire to go!” Tytania orders Bottom. Glyndebourne's revival of Peter Hall's classic production of A Midsummer Night's Dream is eerily enchanting, weaving its spell right from the queasy double bass glissandos, which slither into Britten's score.

Melly Still returns to revive her 2012 staging at Glyndebourne, laying nature bare. Cartoonish, but never sentimental, it presents Vixen red in tooth and claw, 

In Frankfurt war er mit Puccinis Il trittico dank einer musikalisch ausgefeilten und szenisch-psychologisch stimmigen Präsentation garantiert.

A powerful and well-paced Mahler 3 from Jakub Hrůša and the Philharmonia, with heartfelt sadness and rich tone from Bernarda Fink.

It took Vienna State Opera almost 90 years to present Leos Janacek's Věc Makropulos, but in Peter Stein's production, it was worth the wait.