No moonlight, no magic: a vanilla Bohème

Par Mark Pullinger, 12 septembre 2017

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“Nicole Car... blossoming radiantly at the line “April's first kiss is mine””

Critique faite à Royal Opera House, Covent Garden, Londres, le 11 septembre 2017

Puccini, La bohème

The Royal Opera

Sir Antonio Pappano, Direction

Richard Jones, Mise en scène

Stewart Laing, Décors, Costumes

Nicole Car, Mimì

Michael Fabiano, Rodolfo

Mariusz Kwiecień, Marcello

Simona Mihai, Musetta

Florian Sempey, Schaunard

Luca Tittoto, Colline

Jeremy White, Benoît

Wyn Pencarreg, Alcindoro

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

Two funerals and a bedding at the Linbury Theatre

Eleanor Knight, 1st May

Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

No moonlight, no magic: Richard Jones directs a vanilla Bohème for the Royal Opera