Buxton Gilbert and Sullivan Festival's remarkable Princess Ida

This traditional production of Patience was strongly sung and acted and was a joyful evening.

Gilbert and Sullivan’s Iolanthe made history twice over on its opening night of 25 November 1882: in the first instance it was the first G&S production to play at the recently completed Savoy Theatre; and in the second, it was the first to open (almost) simultaneously at the Standard Theatre, New York City, beginning barely an hour after the conclusion of the London performance on the same d

The Pirates of Penzance is without a doubt one of the most popular and most successful of the G&S canon, containing some of Gilbert’s most amusing lyrics and characterisations, alongside examples of Sullivan’s best music.

One hundred and sixteen years ago, on 7 March 1896, Gilbert and Sullivan presented before the London public their final Savoy Opera: The Grand Duke.

Few 19th-century operettas exceed HMS Pinafore in style, wit and musical accomplishment; the principal candidates in English are The Mikado, and The Yeoman of the Guard, plus a few offerings by Lionel Monckton and Sidney Jones. Any foreign contender would surely be one of the champagne-soaked Viennese delicacies by the Strauss family or Carl Zeller.

Among the fourteen Gilbert and Sullivan operettas, it must be acknowledged that there are glimpses of weakness. The Gondoliers maintains one of Gilbert’s typically insane plots, which is best described as ‘topsy-turvy’ until the final scene, when order is restored. Likewise the music is far from Sullivan’s strongest score, but there are moments of inspired vocal writing.