Semyon Bychkov conducts a triumphant New York Phil season finale

Semyon Bychkov conducts the New York Philharmonic

The New York Philharmonic

Par Susan Stempleski, 06 juin 2026

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“Bychkov took a strong, straightforward approach to Bruckner’s masterpiece”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 4 juin 2026

Bruckner, Symphonie no. 8 en ut mineur, WAB 108

Semyon Bychkov, Direction

New York Philharmonic

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.