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Faith and fortune: Opera Philadelphia presents Credo and Carmina Burana

Brandie Inez Sutton and the Opera Philadelphia Chorus and Orchestra
© Dominic M Mercier
Ethan Vincent
© Dominic M Mercier
Par Cameron Kelsall, 06 février 2023
Chargement en cours, veuillez patienter...
Voir le listing complet
“they transformed their sound here to mirror a church choir”
Critique faite à Academy of Music, Philadelphia, le 5 février 2023
Programme
Bonds, Credo
Orff, Carmina Burana
Artistes
Brandie Sutton, Soprano
Ethan Vincent, Baryton
Alasdair Kent, Ténor
Joseph Tancredi, Ténor
Opera Philadelphia Chorus
Philadelphia Girls & Boys Choirs
Opera Philadelphia Orchestra
Lina González-Granados, Direction
Opera Philadelphia
Voir plus de critiques Concert
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
Cameron Kelsall, 22nd April
A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.
**111
Opera by committee: Opera Philadelphia premieres Complications in Sue
Cameron Kelsall, 4th February
Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.
****1
A didactic Decameron: The Seasons at Opera Philadelphia
Cameron Kelsall, 20th December
Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.
***11
A long, strange trip: Opera Philadelphia’s Il viaggio a Reims
Cameron Kelsall, 19th September
The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time. 
***11
The Listeners: daring psychological thriller at Opera Philadelphia
Cameron Kelsall, 25th September
The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 
****1
Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi
Cameron Kelsall, 23rd September
Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.
****1
Plus de critiques...
Lire critiques de
Alasdair KentBrandie SuttonCarl OrffCarmina BuranaEthan VincentJoseph TancrediLina González-GranadosMargaret Allison BondsOpera PhiladelphiaOpera Philadelphia ChorusOpera Philadelphia OrchestraPhiladelphia Girls & Boys Choirs
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Cameron Kelsall
Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.